| Charles C. Stadden, one of the worlds most famous designers of military 
  figures, was born in Leytonstone, East London in 1919 and lived in Rustington, 
  Sussex. The son of a tailor, he served in the army in France, the Middle East 
  and Italy during World War Two and continued to serve in the Territorials until 
  the late 1960s.  After the war Stadden worked as a commercial artist, specialising in military 
  subjects. His first figures were carved in wood, but around 1950 he teamed up 
  with a friend, former Royal Marine C.B Hingle, and from a rented workshop in 
  Whitechapel began producing 1 or 1.5 inch figures in white metal. These were 
  sold with painted the brushwork being done by Hingle.  In 1951 the first 54mm figures were produced. Around 1953 the figures came 
  to the attention of Roy Belmont-Maitland who was then running a clothing company. 
  Belmont-Maitland is an intriguing figure. Despite the rather plummy English 
  connotations of his double-barrelled surname he was in fact a Jewish émigré 
  from either Eastern Europe or Germany. Belmont-Maitland had arrived in Britain 
  in the 1930s and is said to have worked for the intelligence services during 
  WWII. A notoriously heavy drinker, he had apparently foresworn ever driving 
  a car after killing somebody in a motor accident.  Belmont-Maitland became so enamoured with Staddens models that he eventually 
  abandoned his clothing business altogether and founded Norman Newton Ltd which 
  became the main agent for Staddens work. The companys shop, Tradition 
  was initially located in Piccadilly, London moving first to New Bond Street 
  and then Shepherds Market in Mayfair. It is now in Curzon Street. In 1957 Hingle left the Whitechapel workshop to become a chartered accountant 
  and was replaced by Alex Griffiths. Production continued at a staggeringly rapid 
  rate with Stadden producing on average six new 54mm figures a month and similar 
  numbers of smaller 30mm or 25mm figures. The speed of the process was possible 
  because unlike most designers who built up their figures from a basic nude torso 
  adding layers in clay or liquid solder, Stadden carved his directly from white 
  metal.  By pioneering new techniques in mould making and production Stadden effectively 
  kick-started the whole hobby of painting and collecting model soldiers. He went 
  on to design for a number of other companies including Minimodels, Almark, Hinchliffe, 
  Old Guard, Marx, Triang, Waddingtons, Meccano (He did figures to accompany the 
  Dinky range of model AFVs), Subbuteo and, it is said, Airfix.  Stadden worked in many scales from 120mm downwards. His 1/72nd scale 
  range (slightly larger than "true" 25mm) is small and covers a number 
  of periods including medieval knights, Napoleonic, Crimean War and British Colonial. 
 The history of the figures was until recently something of a mystery to us. 
  Charles Grant in Napoleonic Wargaming (1974) notes that that Stadden once produced 
  a range of "one inch" figures which had by then been discontinued. 
  In an article in Military Modelling the same author describes a Stadden Crimean 
  War range in 25mm scale which was issued in the 1960s, never added to and then 
  went out of production. John Garratt, meanwhile describes a similar range aimed 
  at the wargamer and "including casualty figures" which was produced 
  briefly between 1956 and 1957. He also describes one inch figures in the collection 
  of US wargamer Charles Sweet that includes "British, Prussian, French, 
  Dutch and Spanish which were withdrawn from the Stadden range after a short 
  time and are much prized by collectors" and also "a group of Cromwellian 
  pikemen which are even more rare". |